Galerie Anhava, Helsinki Finland
Pastel Lemon Yellow Soft Passive Aggressive is Heini Aho’s (born 1979) third solo exhibition at Galerie Anhava. Aho blends elements of sculpture, installation and the moving image in a wide range of ways to make fascinating and compelling works in which acute observations of her environment merge with reflective thought. He works address, among other things, issues of the multidimensionality of time, tension, perceptions of reality and human behaviour with insight and a sensitively curious attitude.
The works of the exhibition can be considered as musing condensations of Aho’s form of expression. They include, among other things, slow movement, smoke, coiling and releasing tensions and the moving image, but there are also completely static works. The artist uses a wide range of different materials, boldly combining, for instance, glass, sand, acrylic resin, wood and smoke, seeking their kinship or ‘mateship’. Bringing together various things of a different nature in terms of material, form and linguistic expression could be regarded as one of the characteristics of Aho’s work, as aptly stated in the title of the exhibition Pastel Lemon Yellow Soft Passive Aggressive.
2020
Photo: Jussi Tiainen
Pastel Lemon Yellow Soft Passive Aggressive is Heini Aho’s (born 1979) third solo exhibition at Galerie Anhava. Aho blends elements of sculpture, installation and the moving image in a wide range of ways to make fascinating and compelling works in which acute observations of her environment merge with reflective thought. He works address, among other things, issues of the multidimensionality of time, tension, perceptions of reality and human behaviour with insight and a sensitively curious attitude.
The works of the exhibition can be considered as musing condensations of Aho’s form of expression. They include, among other things, slow movement, smoke, coiling and releasing tensions and the moving image, but there are also completely static works. The artist uses a wide range of different materials, boldly combining, for instance, glass, sand, acrylic resin, wood and smoke, seeking their kinship or ‘mateship’. Bringing together various things of a different nature in terms of material, form and linguistic expression could be regarded as one of the characteristics of Aho’s work, as aptly stated in the title of the exhibition Pastel Lemon Yellow Soft Passive Aggressive.
2020
Photo: Jussi Tiainen
2019
4 K video/ 8:00min
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
Spreading out on two walls, Fools Time is made of numerous wall-mounted glass objects of different size and shape that contain dark-coloured sand. Soft organic forms of blown glass are in continuous movement around their axes. Inside the objects, the sand flows, accumulates and is released, creating on the wall a continuously changing group of hourglasses, like a scale model of the universe or a reflection on man’s silly notion of time.
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Glass, sand, motor
Photo: Jussi Tiainen
2020
Photo: Jussi Tiainen
For the work `Corner is a Place Where two Sides Meet`Aho assembled a large number of corners that she had sawed from furniture, boxes and other objects. The technique of combining objects creates an entity in which image and surface are mixed into a relief-like artwork.
2020
mixed media,166 x 166 cm
Photo: Jussi Tiainen
2020
mixed media,166 x 166 cm
Photo: Jussi Tiainen
2020
mixed media
Photo: Jussi Tiainen
2020
Photo: Jussi Tiainen
Full Door Stop consists of doors sawed to a low height and attached to the wall. They are between two objects and forced to remain immobile. Behind each of the doors is a human limb cast by Aho in acrylic resin which is pushing the door and matched on the other side by a wedge heel cast in dyed acrylic resin and jammed by the Aho between the door and the floor. Thoughts of pushing, resisting and braking movement are condensed in this piece into a kind of static still-life of opposing forces
2020
Photo: Jussi Tiainen
2020
Photo: Jussi Tiainen
2020
Photo: Jussi Tiainen
2020
Glass, smoke, paint
Photo: Jussi Tiainen
In the video piece Touching the Modern Life a pair of hands first emerges from a black space and starts to slowly shape out of clay various simple objects from the human sphere of life. Familiar everyday items come into view from the dark: a jug, a book, a plate, a table and a chair. The wet clay, which gains a light colour in the dark space, gives this work and the exhibition as a whole a succulent and strong visual feel of material.
4K video/ 9:30 min.
Photo: Jussi Tiainen
4K video/ 9:30 min.
Photo: Jussi Tiainen